Category Archives: Poetry

The Babel in Us

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These days we are all a bit confused. In English, “confusion” is one way to translate “Babel” but it also means “a mixture of sounds and voices” and that’s what Poets of Babel, the multilingual poetry club that I created, is about.

I could say it all started, after talking the night away on the subject of poetry versus hip hop, when a friend suggested we start a poetry club. But it wasn’t until I came across an article, with one magic word, which led me to find a poet who would transform my perspective on language and poetry, that I made the first move.

The article, a literary critique, taught me the word “macaronic.” And, yes, it does come from the same root as macaroni. It means “composed of a mixture of languages.” It was while reading everything I could online about macaronic usage that I discovered: Antoine Cassar, a Maltese poet and translator.  His multilingual poem Merħba, a poem of hospitality, was the Grand Prize winner of the United Planet Writing Contest in 2009, which incorporated over 70 languages, including Hebrew and Yiddish. I fell in love with it. I couldn’t even understand all of it but loved it. It’s not just the love of speaking languages or even hearing them, but just seeing the text of another language is a mysterious pleasure. Merħba and my silent obsession with the Tower of Babel liberated me from the unrealistic expectation and limitation of a single language. I decided then and there that I would read Merħba at the opening event of Poets of Babel and, indeed, it even became a Poets of Babel tradition.

Israeli society is a cultural mosaic. Even Hebrew is macaronic. The slang is Arabic; the academic world and everyday language uses English daily; there are Russian suffixes. How many of you, reading Space,are bilingual? How many of you speak or have learned English, Arabic, Russian, or another language? 99% of the people I know are at least bilingual and I wanted anyone who was a poet there. This is why I did not want to limit Poets of Babel to only Hebrew, or only English, my native tongue. Poets of Babel is a place where poets are not limited in participation based on the language they write poetry in. With a common lingua franca (any language that is widely used as a means of communication among speakers of other languages, such as Hebrew or English), people who speak different languages can sit together and share their tesserae, their piece that is part of the mosaic. Thus, Poets of Babel was born, the slogan: “If you are a poet, we speak the same language.” The mission: to enjoy the human voice in variation, to love the spoken word, both poetic and foreign.

I believe there is a hunger for the expression of the multicultural identity that we all live in. There is evidence in the existence of Space, Poets of Babel, “Simply Sing,” and the groups that we have yet to discover or yet to create. We just have to find each other. There is a lot of ‘Babel’ everywhere, many mixtures of voices, and they all have a story to tell. Poets of Babel is the attempt to learn everyone’s stories. It reflects our generation of widespread multiculturalism, complicated identities of people in immigration countries, and breaks the boundaries of poetry or identity belonging to a single language. Walt Whitman once said, “My dearest dream is for an internationality of poems and poets binding the lands of the earth closer than all treaties or diplomacies.” Babel does not only mean “confusion” or a “mixture of voices.” Its origin is the Akkadian, word Babilli which means “the gateway to god.” It is my dearest dream is that we become bound in the shift of Babel from “confusion” to “the gateway to god,” the place where we find holiness in coming closer davka in our differences.

Originally published & translated into Hebrew:  “The Babel in Us,” מרחב الفضاء Space Poetry Magazine, Issue 3, August 2013. (print)

We are the Music Makers

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For almost 7 years, my friend D.J. Markey Funk and I had been holding on to this idea–until now. Though I did perform it at Cafe Tav (a mobile cabaret cafe), with music, this is a whole new world. Together as Euterpe, “We are the Music Makers” is my first spoken word song. Let me know what you think! Should we do it again?

When you’re finished, check out Markey Funk on Bandcamp. The dude’s prolific.

Split in Two: between Gifts and Blind Fury

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 “Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.” ~ Ernest Becker, The Denial of Death

joy harjo gifts

 

“Fame in the spur that the clear spirit doth raise

(That lest infirmity of noble mind)

To scorn delight and live laborious days;

But the fair guerdon when we hope to find,

And think to burst out into sudden blaze,

Comes the blind Fury with the abhorred, sheers,

And slits the thin-spun life…

But not the praise”

~John Milton “Lycidas”

 

I read Joy Harjo’s Crazy Brave this semester, which is where the above quote is taken from. Harjo showed me the kind of story teller I want to be. I breathed in her words as my own: “In a fast, narrow crack of perception, I knew this is what I was put here to do: I must become the poem, the music, and the dancer.” This month, saw the three minute video “Existential Bummer” by Jason Silva with the Ernest Becker quote, which immediately caught my attention as one of the best ways I’ve heard the cognitive dissonance of existence put into one sentence. In the video Silva says “we defy entropy and impermanence with our films and our poems.” Then, while working on an assignment and searching for lines inspired by class material, I found the “Lycidas” quote copied into my journal from last year along with the entry below. Though it’s nine months old, I find that I am still, and perhaps will always be, split in two: between my gifts and the blind Fury.

 

What Does It All Mean?

October 11, 2013

I was walking in town thinking about what it all means. Our energy is borrowed and one day we will have to return it. I’ve been thinking about it every morning and every night. What is it all for, what are these unique creatures; are we just ants, just animals, just leaves on a tree to fall and be remembered in the fall and forgotten in the spring? I want to be known but there is so much to know; I want to be remembered but there is so much to remember. And it will only last for so long and what good will it do me when I’m gone to be remembered? I won’t know anyway. Any memorial can be torn down, any book destroyed and forgotten—and what is it all for? I am entering the best stage of my life so far: thoroughly conscious ignorance, plus on the path of my own choosing, my own making. I was immensely grateful. Now, I am an English teacher and a poetry student; I am a dancer and a performer by hobby; I am recognized as an artist, a poet, an organizer. But I want more and will want more and plan and plan and gather and gather like a busy bee (I was visited by a bee again) and then—I will blink a few times. My daughters will be women; I may see children and grandchildren; I will possibly be honored and surely loved; my parents will depart and I will suddenly remember things I should have said and done, perhaps. There is a future that the movies promised us: sci-fi will be real or the sun may burn out or a dystopia, but all of my generation will pass and the future generations will pass and how long can this go on, and then what? Even with more answers there will always be more questions: can god be proved, is there a power of attraction, what do the charts tell us, what do the cards tell us, what will science find, and what monsters will be created? I will gather and achieve and still ask, what does it all mean, and it will end; the only thing that is sure, the only thing that is sure is decomposition: every story will end.

 

 

Because the Poets are Healers

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Murdered BoysNigerian girls

 

 

 

 

 

 

 

 

 

 

This is just a piece of what’s going on in the world. 276 Nigerian girls kidnapped, three Israeli boys kidnapped and murdered, a Palestinian boy kidnapped and murdered, burned alive. I live in Jerusalem, so the latter is more poignant; there has been rioting, violence, racist cries for death, ignorance, calls for revenge, and suspicions all over Facebook feeds and in the news. I am also a mother of daughters; I can’t forget–as it seems to be already forgotten– about daughters taken, god knows what is being done to them away from home and in the hands of violent men. And this is just a piece, there is more, always more–

At times like these, I think of the quote by the late great Maya Angelou,

“We are all human; therefore, nothing human can be alien to us.”

I think it means that we fail to recognize how easy it can be to go so low. We love to hail the beauty of the world, but there is ugliness, and a lot of it and it is all human. It is jarring, disturbing, heart-wrenching, when I allow myself to think about it. I normally don’t, I must admit. Sometimes, I am afraid that if I let in all the woes of the world it would break me in despair. But when I do, I want to fight the horrors; I still don’t know how. I find solace in poetry; others have as well. I don’t mean be naive. There is a level where poetry clearly won’t do a damn thing to change politics and the minds of murderers. And yet, there is great power in words– poetry is the epitome of that force. Poetry has a long history of documenting the times, telling legends, inciting, enticing, eulogizing; the danger of poetry, the sanctuary of poetry is well known; it crosses all boundaries and rises above–and the poets are healers. When we say ‘there are no words for this,’ it is poetry that finds the words. There is a way to know through the eye/I of the poet.

I want to share with you three poems–written out of that spirit in the midst of hate– that I believe have found the words. Two were written by friends of mine who live in Israel, one by me.

 

Revisions

People

children die every day

 

Revision of life

means revision

of meaning

 

Revenge or honor

killings   No

matter

We live to die

 

The homosexual boy:

Boy bled

in the crook of his father’s arms black sedan’s

back seat–a suspected execution

block–a coffin with seat belts and airbags

Burnt and bound–found

in a forest

 

[ put your heads down!

gunshots and Arabs singing ]

Three extreme zionist religious Jewish boys

deserved what they got

 

Murder takes back seat

to rhetoric

as do point blank

bullet wounds

 

Instead of words

a rocket will be sent from a schoolyard

and a missile returned to sender

They’ll get what’s coming to them

 

Two hundred and seventy six

Nigerian schoolgirls

will not be returned

without a war skirmish

Though their children will

with machetes and machine rifles

nestled in their dark slender arms

 

Hashtags won’t save our generations

A mortar

round in the hand

is a mortar round

in the air

 

People

as we digress

our children suffer

 

We live by the sword

we die by the sword

No meaning changed

by our revisions

-m z friedline

 

[Untitled]

Days, blurred into each other
Like there was no sleep.
The fuzz
of a hundred TV sets
and radios…
remnants
of another forest fire.
Newspaper print
on the fingers
of early-morning travelers,
the serious concentration
of the bus driver…
Another headline
and children, searching for truth
in the faces
of surrounding adults.
Waves of pain
drifting through neighbourhoods…
Sparks of strength
and unison
running through city streets
and a soft, gentle stroking of each other…
a blinding light
calling us all
away from the darkness…

~Louise Harris- Zvieli

 

Stop the Game

I know it’s hard. You are sitting there thinking, those could have been my boys, my brothers, me. You are thinking, summer has barely started; schools just got out today and some are now on eternal break, broken eternally. No one has won the game anymore–if you’re going to stop the game, then *stop* the game, dammit–no one has won, just lost. But what they don’t tell you in the games, is that nations are made from suffering together–more than shared joys. Is this a good thing, or very, very sad? Perhaps it is a part of the human support mechanism–come closer when it hurts. All I know is, the news will be on forever, especially here–there are hundreds of girls missing too–and the news is forever on, forever on, there will never not be news, only, what is news is old, very old, ancient, never-ending and we have to fall asleep sometimes, but the news will outlive us all.

~Shoshana Sarah K.

 

~~~

Moshe Ze’ev Friedline was born in Boulder Creek, California. He is currently studying English literature at Bar Ilan University in Israel. He is married and has a young daughter and younger son. He realized two years ago that he really enjoys writing poetry. He once found himself in an awkward conversation with a bull in a steakhouse.

Louise Harris- Zvieli says she’s just herself.

 

 *Poetry shared with the permission of the authors. All rights remain to the respective poets.

 

LET’S GET LIT: Babbling towards Baghdad (My First Radio Interview!)

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60s chic

 

I know, I know, I haven’t been around. But I’ve been studying poetry, falling in love lyric essay, being awaken at night by the muse. But now that the semester– and my first year of studying poetry– is over I’m getting busy again. Before I could fully get my foot out the door of the university and into summer vacation (and on the same day that I had a test in American Literature!) I had my first radio interview on “Let’s Get Lit” the TLV1 FM program with journalist and author Ilene Prusher. I was so nervous and as soon as I was done, I started obsessing about how I should have said everything differently! But instead of talking about it, how about you just listen and tell me what you think:

Let’s Get Lit: Babbling towards Baghdad

“American-born, Jerusalem-dwelling poet and polyglot Shoshana Sarah brings us inside the world of her multi-dimensional, multi-lingual poetry. She talks about “Poets of Babel,” a Jerusalem group she founded, and reads from her work.

Plus, a short review of Baghdad: The City in Verse, an anthology of 170 Arabic poems, most of them appearing in English for the first time, in a collection translated and edited by the University of Haifa’s Reuven Snir.”

 

 

Update: New Pages, such as Poetry Reading Videos

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I don’t know if any of you have noticed but I’ve been updating pages on my site with photos and videos of poetry readings and performances…drop menus! (It was exciting for me because it took me forever to figure out how to do it. You can remain unimpressed. I’ll understand.)

Just to give you a look, I’m posting here below one of my favorite pages “Poets of Babel Readings” (Found in the drop menu of “Poetry Readings (Video)”).

Enjoy! (And check out all the pages & drop menus!)

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Below are the public poetry readings I’ve given at Poets of Babel. To read more about Poets of Babel, see videos, photos and the Poets of Babel Facebook page, see here.

Poets of Babel 1 Year Anniversary at the Jerusalem Cinematheque, May 30, 2013

“Maïté ”

Poets of Babel #14 at the Jerusalem Cinematheque, June 24, 2013

“אין גן עדן בגן שלנו” (“There is no heaven in our garden”)

Poets of Babel #15 at Avram Bar, July 21, 2013

“Babili/Home”

(Poem starts at 0:52 after introduction in Hebrew)

Poets of Babel #17 at Hanal’e (The Han Theater Coffee Shop), September 16, 2013

“To the Soldiers of Fortune”

Aside

spaceSpace or מרחב/Merhav in Hebrew, is a multilingual poetry journal based in Tel Aviv that I felt I had to get in touch with the moment I discovered them. I wrote one of the editors, “I’m a multilingual poetry club. You’re a multilingual poetry journal. Let’s get married!” While we haven’t ‘gotten married’ yet, I had the pleasure of getting 3 pieces published in their August issue, two poems (“Tom” and “Dareen,” in English) and an article (“The Babel in Us” translated into Hebrew, if you’re interested, I’ll post an English version).

Last week, Yekum Tarbut/ יקום תרבות (rough translation: “Culture will rise”), a website for culture in Israel, wrote about Space’s Launch of the August Issue Event that took place at the Cheetah Gallery in Tel Aviv called “Going Out Into Space.”  Here’s the article (in Hebrew) where they mentioned me, Poets of Babel and sport a photo they asked for when I told them that I recited poetry at Cafe Tav (just in case you were wondering why I’m in costume and no one else is). So here’s what I really looked like at the Space poetry reading/launch event:

 

me at merhav reading

For more cool photos from the event, see Space’s album from the event.  The 3rd issue of Space is available for purchase at Indibook. Enjoy!

Going Out into “Space”

Pico Iyer Asks: “Where is Home?” I Say: “Home is Babel”

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Pico Iyer asks: “Where is home?” I say: “Home is Babel.”

In this amazing TED talk (I know, I know, ALL TED Talks are amazing, but this one is special!) Pico Iyer just articulated everything I already knew but am just beginning to coherently express about myself. I am debating whether or not to tell you to watch the video Pico Iyer Where is Home first or later. You decide. But if you are a citizen of the world or a citizen of Babel like me then you will feel finally and completely understood, it will feel scientific even.

It’s all the more powerful that I saw this after writing and performing my latest poem “Babili/Home” , my first macaronic language poem, mainly in English with touches of Hebrew, French, Russian and one phrase in Ukrainian. It’s about home. It’s about who I am. It’s an idea I’ve been trying to iron out since I wrote “Multicultural is the New Multiracial” for the Mixed Race 2.0 project (forthcoming) on ‘blackness’ (the African-American brand) coupled with the elusive feeling of detachment from it after (and honestly even before) living within another culture and disdane with having to be defined all of the time. Or  what I wrote in “The Babel in Us” (Hebrew) in the multilingual, Tel Aviv based poetry journal “Space”. about how everyone is a little macaronic these days, multilingualism is everywhere and needs places to be expressed which is why I created Poets of Babel.

Speaking of multilingual or macaronic poetry, there are a couple of poets who I know would dig this talk. You should check them out too. One, I’ve mentioned often, Antoine Cassar, the author of the first macaronic poem I read and loved, “Merħba,” as well as the lingual adventures of the book Mużajk (Mosaic), or the powerfully open-hearted poem “Passaport” , which brought tears to my eyes with the line:

“no one to brand you stranger, alien, criminal, illegal immigrant, or extra-communautaire, nobody is extra, …”

Another poet I just met over the summer at a ‘Mini International Poetry Festival’ in Tel Aviv,  is Johannes CS Frank, the author of  Remembrances of Copper Cream, a trilingual poetry book, in English, German and Hebrew, which is  simultaneously as cosmopolitan as it is a visceral authentically Jerusalem experience, right down to the copper highlighted sketches,

“a full scale model of the universe”

“Merħba” and Remembrances of Copper Cream both appear in the photo above.

You know what, just watch Pico Iyer’s video, & my poem “Babili/Home” and then reach out to me. If you’re a citizen of Babel, not just multicultural or multilingual but have been haunted by the feeling that you basically belong nowhere specifically but to so many places at the same time, collage people, mosaic people, Embrace.

 

Poets of Babel #14 at the Jerusalem Cinematheque

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I’ve got almost a month of events to catch you up on! But we’ll do this in chronological order. If you haven’t seen it on Poets of Babel’s Facebook page, here are the videos from the poetry readings June 24th, 2013 (Late, I know! But when you see the rest of what I’ve been doing, you’ll understand!)

 

 

 

 

 

Tuvit Shlomi, Dutch (By the way, here is a very interesting article about Tuvit)

 

Emmy Raviv, English

 

Gilad Meiri, Hebrew (Gilad Meiri is a prominent Israeli poet, read more about him and his organization Poetry Place)

Talea Azzam, Arabic (Notice how he says Babel/Babili!)

 

Isabelle Cohn, German

 

Natan Perchikov, Russian

 

 

How about a round of applause? For the rest of the photos from the event, click here.

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Young Writers’ Evening at Tmol Shilshom

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Since my first poetry slam, I’ve been getting busy with poetry, doing more readings this year than ever before, EVER.

This event is from June 3, 2013 at Tmol Shilshom, a bookstore cafe restaurant in Jerusalem, made famous for being a place where “Israel’s best known writers read from their works.” These days, it is a common location for literary events such as the Young Writers’ Evening organized by Jerusalem Village.

I actually joined the event quite last-minute, but I was glad I did as I met a new poet and friend there (you’ll see her in later Poets of Babel videos) as well as learned what else is going on in the English speaking Israeli poetry scene.

Here are my videos of the reading:

“There”

“Rhyme & Reason”

“Talitha kumi”